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مطالعة تطبیقی نگارة‌ «فردوسی در دربار سلطان محمود غزنوی» اثر محمد تجویدی در موزة خوی با نگارة هادی تجویدی در موزة هنرهای ملی ایران

نوع مقاله : مقاله پژوهشی (نظری)

نویسندگان
1 خوی اداره میراث فرهنگی، گردشگری و صنایع دستی خوی
2 استادیار موسسه آموزش عالی اقبال لاهوری، مشهد، ایران
3 استاد گروه پژوهش هنر، واحد تهران مرکزی، دانشگاه آزاد اسلامی، تهران، ایران
چکیده
سرگذشت فردوسی در ملاقات با سلطان محمود غزنوی یکی از موضوعات مهّم تاریخی است که می‌توان انعکاس آن را در هنر نگارگری نیز مشاهده کرد. روایت پیشکش و وقف شاهنامه توسط فردوسی به‌سلطان محمود در چندین نگاره در دوره‌های معاصر توسط هنرمندان به‌تصویر کشیده شده است. یکی از آن نگاره‌ها در سال 1315 خورشیدی به‌وسیلة هادی تجویدی بنیان‌گذار مکتب مینیاتور تهران نقاشی شده و در موزة هنرهای ‌ملی ایران نگهداری می‌شود و دیگری نگاره‌ای با همین عنوان در اواخر دورة پهلوی اول و اوایل پهلوی دوم 1321 خورشیدی به‌وسیلة محمد تجویدی نقاشی شده است. اهداف پژوهش: شامل شناسایی میزان پایبندی و تبعیت نگارة محمّد تجویدی (فرزند) با نگارة هادی تجویدی (پدر) است و همچنین از طریق مقایسه و تشخیص، وجوه اشتراک و افتراق نگاره‌ها با یکدیگر صورت گرفته است. پرسش‌های پژوهش عبارتند از: 1. نگارة «فردوسی در دربار سلطان محمود غزنوی» اثر محمّد تجویدی در موزة خوی، تا چه اندازه‌ای با اثر هادی تجویدی در موزة هنرهای ملی ایران پایبند بوده است؟ 2. شباهت‌ها و تفاوت‌های نگارة «فردوسی در دربار سلطان محمود غزنوی» اثر محمد تجویدی با نگارة هادی تجویدی در چیست؟ روش پژوهش: در بررسی حاضر به‌شیوة اطلاعاتِ کتابخانه‌ای و داده‌های تصویری به‌صورت توصیفی و تحلیل تطبیقی بوده است و نمونه‌های مورد بررسی، شامل نگارة «فردوسی در دربار سلطان محمود غزنوی» اثر محمد تجویدی در موزة خوی و نگارة هادی تجویدی در موزة هنرهای ملی ایران، با یکدیگر مورد تطبیق قرار گرفته‌اند. نتایج پژوهش: نشان می‌دهد نگارة محمد تجویدی بیشترین پایبندی و تبعیت را از نگارة هادی تجویدی دارد.
کلیدواژه‌ها
موضوعات

عنوان مقاله English

A comparative study of the painting "Ferdowsi in the court of Sultan Mahmoud Ghaznavi" by Mohammad Tajveidi in the Khoy Museum with the painting of Hadi Tajveidi in the Museum of National Arts of Iran

نویسندگان English

reza bayramzadeh 1
Pejman Dadkhah 2
Mohammad Reza Sharifzadeh 3
1 Khoy Department of Cultural Heritage, Tourism and Handicrafts of Khoy
2 Assistant Professor, Iqbal Lahori Institute of Higher Education, Mashhad, Iran
3 Professor of Art Research Department, Central Tehran Branch, Islamic Azad University, Tehran, Iran
چکیده English

The paintings under study, one of which was painted in 1315 AH by Hadi Tajvidi, the founder of the Tehran miniature school, and is kept in the National Museum of Iranian Arts, and the other with the same title was painted by Mohammad Tajvidi in the late Pahlavi period and early Pahlavi period in 1321 AH. Objectives: It includes identifying the degree of adherence and subordination of the painting of Mohammad Tajvidi (son) to the painting of Hadi Tajvidi (father), and also through comparison and identification, the similarities and differences of the paintings were made with each other. The research questions are: 1. To what extent did the painting “Firdausi in the Court of Sultan Mahmud of Ghaznavi” by Mohammad Tajvidi in the Khoy Museum adhere to the work of Hadi Tajvidi in the National Museum of Iranian Arts? 2. What are the similarities and differences between the painting “Firdausi in the Court of Sultan Mahmud of Ghaznavi” by Mohammad Tajvidi and the painting of Hadi Tajvidi? Research Method: In the present study, library information and visual data were used in a descriptive and comparative analysis manner, and the samples under study, including the painting "Firdausi in the Court of Sultan Mahmud of Ghaznavi" by Mohammad Tajvidi in the Khoy Museum and the painting by Hadi Tajvidi in the National Museum of Iranian Arts, were compared with each other. The results show that Mohammad Tajvidi's painting has the greatest adherence and adherence to Hadi Tajvidi's painting.

کلیدواژه‌ها English

Khoy Museum
Museum of National Arts
Tehran Miniature School
Mohammad Tajevidi
Hadi Tajevidi
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دوره 22، شماره 4
کشاورزی / هنر و معماری
زمستان 1404
صفحه 580-602

  • تاریخ دریافت 06 آذر 1403
  • تاریخ بازنگری 12 بهمن 1403
  • تاریخ پذیرش 19 فروردین 1404